Contains spoilers.
I can't deny this
goofy over the top surreal zombie comedy didn't have its moments and maybe I
just wasn't quite in the mood for an hour and forty minutes of non stop cheap
and trashy wacky toilet and prosthetic penis humour, but all in all I came away
feeling a bit tired and bored. I also came away thinking it felt very much like a Troma production, gaudy, excessive and camp, but, and I can't believe I'm going to say this, somehow lacking the same finesse and polish.
Director Caleb
Emerson has unquestionably put together something unique and out there, it's
just by trying to instil every line and every moment with his bizarre warped
humour it feels all a bit too busy, a bit too full on. There's never a moment
for the audience to take a breath; it's constant full on and in your face from
the first second to the last whether that particular joke is necessary or that
funny.

In order to rescue
his beloved, Red begins a road trip to a visit a
series of narratively unrelated, yet increasingly surreal and bizarre people
who recount loud silly stories before telling him who to go to next. CoconutHeadFaceMan,
a village with no men and a cheese-fondue throwing demon, Hasil Adkins, an Appalachian country, rock
and roll, and blues musician, as himself who gets him to drink beer and do
press-ups; his journey is daft, it's cheesy, it's not without it's charm but
it's very busy, totally rambling and dare I say, all a bit tedious. Now I'm a
big fan of surreal humour and daft and silly for no reason other than being
daft and silly, but when it's so constant and unremitting the jokes all end up coming across a bit
flat. It's Morecambe without Wise, the funny without the straight; or in this
case the absurd and surreal with any normality to contrast and play off.

The acting from the
main three is deliberately b-movie, camp and cheesy but it's strong and
confident. The background girls in it to remove their shirts and the zombie
slaves all play their roles as one would expect given it's z-movie desires.
Taste and decency have also been thrown at the window, with more prosthetic
penis scenes than I think I've seen before and quite the bit of excessive blood
and gore all done gratuitously without a care what boundaries they may be
crossing. It's definitely one area the film succeeds in and provides for quite
some memorable images, the cannibal picnic being my personal pick.

Relentless action, relentless humour, snappy
disruptive camera work, gratuitous and exploitative gore and nudity and loud in
your face soundtrack; it's a busy explosion of a film with many good ideas. If
a film could be described as having ADHD though, this would be it; someone
should have stepped in, perhaps with medication and just told it to calm the
fuck down, and then perhaps it would have all felt a bit more natural and at
ease with itself. It's definitely a unique experience and not without merits,
it's just you should probably take some aspirin and be prepared for a lie down
when it's over, 4/10.
No comments:
Post a Comment