Contains spoilers.
So these two geezers
right, their old granddad is in a bit of old barney rubble as his old care home
is going to be knocked down to make room for some fucking yuppie high-rise, so
they've decide to do some apple bobbing to sort it out. It all goes a bit Pete
Tong and the old bill turn up, but that's not the real problem, you see me old
china. The fucking problem, is two chancers thinking it peachy to disturb some
brown bread in some old crypt, only unleash a chuffing Trafalgar plague,
didn't they.

I'll admit I was a
tad wary going into this as watching lary bad mouthed east-enders really isn't
my cup of tea and whether it's rhyming slang, pearly kings and queens or the
glorification of two particular vile gangsters there's nothing quite like insular
self-aggrandising, in my mind, to spoil a good party. I needn't have worried
though as yes, it's one hundred percent cockney and yes it's chock full of all the east-end charm I've
just been bitching about, but Hoene and the writers and producers have managed
to pitch it so that cockneyism is in on the joke as much as it's blowing smoke
up its own arse.
Now for a
translation of that basic story I outlined in the first paragraph. Alan Ford is Ray MacGuire, an east-end retired
hard-man with a permanent facial snarl and penchant for swearing, who is seeing out his days in the Bow
Bells care home in the heart of the east-end. Like much of old London his
retirement home is set to be demolished to make way for a brand new high rise
development and he has three weeks until he and his friends are to be relocated
up t'north. Unbeknown to him, his good natured, if dim witted grandsons', Terry
(Rasmus Hardiker) and Andy MacGuire (Harry Treadaway) have come up with a plan
to save the day by robbing a local bank with the help with their cousin Katy
(Michelle Ryan), their incompetent friend Davey Tuppence (Jack Doolan) and
Ashley 'Mental' Mickey (Bashy Thomas) the local brain damaged nutter
(literally) who just happens to be the only person they know with guns.

Well it is and it
isn't. As well as focusing on the conflicted and out of the depth cockney robbers and their hostages now
holed up at Terry and Andy's lock-up there's a second narrative focused on Ray
and residents of the care home as it too comes under siege. It's here Hoene is
able to be slightly more playful not only with delightful slap stick set pieces
and comic dialogue from veteran actors including Honor Blackman and Richard
Briers, but by contrasting and poking fun at traditional zombie tropes such as there slow pace vs the geriatric old timers complete with their replacement hips and zimmer frames. There always a fine line being walked when parody is in play, but Hoene gets it right acknowledging all the
inherent absurdity while always
remaining respectful, much like Pegg and Wright did with Shaun of the Dead; and also in many ways like he does with 'cockneys'.
I do like it when
directors understand that if you get the zombie right, it doesn't half help
allowing the characters and action to shine. Included on the Blu-ray is the
five minute video that was shown to all 526 zombie extras explaining the basic
rules of zombie behaviour and movement, or zombicality as they put it. Very
slow movement, stagger not swagger, lift legs from the hips, have your arms
flailing and let gravity guide movement are all mentioned and the cast of
extras follow the doctrine perfectly capturing London in all its tipped bin,
newspaper strewn, background flesh munching, apocalyptic splendour.

Cockneys vs Zombies
knows what it is and delivers. It's lively, action packed, explosive and gore
laden but as excessive and in bad taste as some of the sequences are there's
always the pinch of salt allowing them to get away with them. Hoene pitches the comedy with the action and gore perfectly never allowing one to take over and the back and forth between the two narratives is coherent and they meet up just at the right time. It's not perfect,
for all it's originality; in story, characters and some of the extravagant
zombie deaths, by being a parody means staying tight to the genre staples and
it can't help but feel a tad derivative and stale at times. There's also a few
throw away jokes that don't quite and skits that don't come off. All in all though, a thoroughly enjoyable ride; with much to commend. I'll Bobby Moore it 7/10.
Steven@WTD.
I loved this... especially the slowest chase scene in cinematic history :)
ReplyDeleteThat chase scene is cinema gold.
DeleteI was really surprised by this one. I went into it thinking it was going to be a zombie movie that is just cheap and made to exploit zombie fans but I thought it was just hilarious, brilliant and fun.
ReplyDeleteAbsolutely. I was quite hesitant too but needn't have been as it's smart, fresh and fun.
DeleteGreat poost thankyou
ReplyDelete