Contains mild
spoilers.
It was only after
learning first time director Stanton Barrett's resume included stunt work,
Nascar racing and obviously all the serious head trauma that entailed, that Navy
Seals vs. Zombies renamed Security Guard Navy Seals: The Battle for New Orleans
for Netflix made any sense. Now I don't mean make sense in terms of narrative
or actually what happens; Navy Seals vs. Zombies is about as obvious and
in your face as a brick in yogurt. What I'm talking about is make sense, as in
casting old overweight men as the best of the best, in the field present them generally inept at making the right calls and surprisingly fragile, and actually release
a feature clearly unfinished with so many jarring goofs to make Ed Wood's own efforts appear exacting and polished in comparison.
Ed Quinn as Unit
commander Lt. Pete Cunningham obviously has some bills to pay as why he
voluntarily agreed to not only take part, but take a lead role in this strange, raw, simplistic military action film is beyond me. He does a good job though, as do
all five of the Seals, competently and believably pulling off all the military
jargon and close quarters room by room manoeuvring. Also the two tag along reporters, Amanda (Stephanie Honoré) and Dave (Massimo Dobrovic) extracted with
the vice president, who then choose to accompany the guys to their second
target, too pull off their roles with sincerity and enthusiasm. So the blame
clearly can't lie here. Also the basic premise sounds good on paper; and
highly experiences Navy Seals are sent right into the centre of an emerging
zombie shit-storm to rescue a high profile figure makes a welcome change from
Joe average's quickly learning to swing a knife. I'd even go as far to add that an obvious low budget and direct
to TV look and feel can be managed with a little imagination and some careful
planning. So where does it all go wrong?
Some attention to
detail would be a good start. Such was the number of times cars could clearly
be seen going about their normal every-day on the edge of shot, or people could
be seen pottering around in the background of a city that was being pushed as totally and utterly
post apocalyptic, that I stopped
counting. Also at 1:32:02; and yes I paused, rewound and went back in slow-mo
in disbelief; a sound or effects engineer was clearly in shot, knelt down with the
Seals actually having to manoeuvre around him to get into a room to look for the lone survivor. Also, even when there aren't these distractions the film
is full of continuity mistakes and terrible and baffling story decisions that are impossible to
go along with, none more so than having us believe they'd send just 5 troops and
one helicopter to deal with the full scale collapse of a large American city,
or have us believe the single scientist who might offer some hope of a cure
would have spent the ensuing carnage and maelstrom of death patiently sitting
in her hidden top secret CIA lab twiddling her thumbs. A certain level of
amateurness I can deal with; the level
of neglect and care on display here is criminal.
There wasn't
clearly any budget for make-up or effects. Actually that's a lie; the odd
zombie did have a small spot or two of blood, or a gnarly smudge of eye-liner;
and there was a single interesting demonic rise from the dead zombie moment
near the start that actually had me smiling. Explosions were all obvious and
poorly implemented computer graphics, as were all the strangely mooted gun shots, and all the big aerial
pans shots, and military footage was clearly stock and fiddled with. If I
hadn't known I'd have easily thought this a bad SyFy special from ten years
ago.
Look I know some of
the carnage is fun, some of the military antics will excite the little boy in
all of us and pointing out obvious goofs can feel rewarding but Navy Seals vs.
Zombies is not a film that really deserves even a modicum of credit. Maybe Stanton
Barrett is our new Ed Wood, and maybe people will refer to his only directorial
feature film as a cult classic in years to come; but I doubt it. Plan 9 from Outer Space had kitsch born from not just its atrocious production but from the
legacy of all involved, and Navy Seals is just a cheap cynical cash-in laughably
constructed by people who clearly couldn't be that bothered. Look, maybe I am
being a tad hard and as said Ed Quinn, and all, did put in a shift. Also, even
though there wasn't an option to translate the various news banners used back
to English on this German Blu-ray, it looked and sounded great with the full
English 5.1 DTS soundtrack; though thinking about it, perhaps we've finally stumbled on the films biggest problem; that with a clean crisp full HD transfer there's nowhere to hide the warts; the short-cuts, or the clear acceptance of mediocrity - 3/10.
Steven@WTD.
I watched this recently (on Netflix I think) poor, it has to be said
ReplyDeletePoor you. Was I alone spotting all the cars / people in the background, or did they distract you too?
Deleteno, I noticed that there seemed to be much casual car use during the apocalypse :)
ReplyDelete