1998 (USA / Australia)
Contains spoilers.
What? The Sandra
Bullock, Nicole Kidman oestrogen fuelled whimsical nineties Wicca rom-com? The
one with an ancient hereditary curse, husbands who die young leaving broken
hearts and orphan girls with the often poor choice in boyfriends? That's the one. Okay, I
was probably very much like you are now, a year or so ago, and despite owning
this DVD the best part of fifteen years, and doing this here zombie thing, I'd
always shrugged off the idea that it might be worth another look, even if the z
word is on the back cover. Well enough is enough, as one, Jimmy Angelov (Goran
Visnjic), said poor boyfriend of Gillian, the more feisty and independent of
the Owens sisters (Nicole Kidman), does die and is resurrected as something
dark and wicked, and two, and I'm not going to hide this, I've always held rather a soft spot for this flick.
Practical Magic is
the story of condemned and thwarted love. Two hundred years ago, Maria Owens is exiled with
her unborn child after a failed execution on the count of her being an active
witch and her neighbours being judgemental and ignorant arseholes. When the father
and her lover fails to show for the rescue, she throws down a curse so that she
shall never know love again, only such was the heartfelt strength of her sorrow
and anger that after she died it failed to lift, instead transferring down and
condemning her bloodline forever. Jump forward to Gillian and Sally Owens
(Sandra Bullock), two orphaned girls with the gift, forced to live with their Aunts Frances
(Stockard Channing) and Jet (Dianne Wiest) after their parents too, succumb to
the Owens curse.
Well, the girls grow
up, they learn the craft, Gillian runs off to party, play and frolic with the
sort of boys a good Christian mother wouldn't be happy about and Sally, the
more down to earth stays and has a go at making house with all the dire
consequences one would expect. This
set-up is charming, the characters coherent and inviting and the world the
perfect mix of real and magical; of a society full of intolerance and prejudice
underpinned by fear, and by that fantastical belief that darkness can always be
vanquished by the light of love. But what has this got to do with Zombies?
Well, Gilly's love
of 'wrong 'uns' eventually catches up with her in the guise of Transylvanian heart-throb Jimmy Angelov. Not just into drinking, drugs and debauchery, Jimmy also has a bit of an
obsessive compulsive disorder for keeping the object of his
desire very much in check, both emotionally and physically. Out of her depth, Gilly calls on her deep bond with Sally, Sally
comes to her aid and before the night is over they manage to poison Jimmy,
resurrect him then kill him again. It's never a good idea to bring someone
who's previously really tried to hurt you back to life, especially with the
additional caveat they're going to come back even darker, but that's what the
girls do. Jimmy, in his initial Zombie form, actually doesn't hang around long,
mere seconds, before being dispatched again but he's definitely not the fully
compos-mentis Jimmy that was alive, albeit very drunk, earlier that day.
It's Jimmy, in his
second Zombie form, that's occupies the most screen time and is arguably the more
interesting. Though is he really a zombie? Though dispatched for the second
time his spirit remains and it's neither happy or at rest. At first a nuisance
he soon becomes quite attached once more Gilly, literally, and the story
becomes one of possession, exorcism, and banishing lost souls and evil spirits
(albeit in such a way to bring the townsfolk together, lifting the ancient
curse, finding Sally her true love, and bringing harmony and love to all
mankind.) I know I've previously stayed away from the subject of possessed
souls and zombies; that of a person with their will suppressed, and another non-corporeal will imposed
and in command, but in many ways it warrants that the question be asked. Back
before Romero when zombies were New World, voodoo and mind control it was
merely will over another to do as they commanded that justified the z moniker; and in many ways how is this different, other than the will is of someone / something specifically not of this world. Suffice it to say I don't think it's time
to start to adding every possession film to the list just yet; there's a
traditional and contemporary idiom that dictates what is or isn't zombie and I
need to tread carefully. Here though, with an actual
zombie a few moments earlier I do, finally, feel safe to at least include the film and touch on the subject.
Yes Practical Magic
is slushy, romantic, emotional, does attempt an uplifting 'and they all lived
happily ever after' moral finish, complete with lively country soundtrack, and
you can watch it with your children (though some of the bringing back from the
dead and possession stuff is perhaps a little much for little ones). Yet it's
confident and successful in all that it sets out to achieve; harmless, fun,
entertaining and full of feels. Practical Magic is in my opinion an exceedingly joyous way to spend an hour and a half of your family friendly time; that is as long as your black, cynical and miserable heart, or what's left of it, still has room - 8/10.
Steven@WTD.
It is thanks to this film that I know every word to that "lime in the coconut" song. Love this one! Definite guilty pleasure movie.
ReplyDeleteI have to admit I now know of Harry Nilsson too and have on more than one occasion stumbled across the song on Spotify.
DeleteI'm never sure of how Midnight Margaritas would go down with the family though... On paper it would be a blast though in practice I think my wife may kill me for waking her up...