2014 (USA)
Contains mild spoilers.
Now whilst I
personally don't feel we're quite witnessing the end of our collective
unconditional love affair with the zombie, I think perhaps we're definitely
moving to a period where the relationship will be tempered and better defined.
The Walking Dead bubble whilst strong in its centre has definitely shrunk and
the great zombie experiment that pushed the undead gut-muncher to an
increasingly new and mainstream audience is definitely showing signs of
decline. Fads are cyclical; the modern zombie zeitgeist was always doomed, not
to fail, but to be replaced with something new. While you may ponder that this
a strange thing for a zombie film fanatic to say, I'll add I think it's not
only a healthy thing but a necessary thing. The zombie isn't going to go away;
it's a disturbed metaphor that transcends era and I believe as long as life and
death and all their intrinsic paradoxes are played with then they will always
have a place at the media table. The thing is, and I think if we're all honest
we'll agree, the time has come for
discernment, for less. We just don't need yet another zombie first person
shooter, nor do we need yet another derivative SyFy survival bore-fest; and we
certainly don't need yet another gleeful, glib and by the numbers zom-rom-com.
Now I almost feel
sorry for the big movie executives and decision makers sat atop their mountains
of cash watching The Walking Dead craze run amok and not knowing how exactly to
join in and exploit it. Horror is a difficult beast to tame and best left to those
who truly get the dark and twisted. A gritty and serious endeavour needs
vision, a really great script, and the nerve of a director to stay on course,
which leaves the safe bet. I all too often come away from a zom-rom-com with
the feeling I've watched the brain-child of someone who knows a little of the
modern zombie but does understand the rudiments and formulae of how to make a
romantic comedy; and that as long as the audience leaves somewhat satisfied and
entertained; which they undoubtedly will, then all is good. The thing is,
drowning as we are in a plethora of zombie content, one can't just rely on
them anymore to carry a film by their mere presence. Each iterative offering
sees their impact diluted, so consequently the rest needs to be better. Maybe
I'm jaded; I certainly sound jaded, but that's the very problem with director
Jonathan Milott and Cary Murnion's Cooties. Strip away the shock of the zombie
school children, and the rom-com that's left doesn't particularly hold up to any
kind of scrutiny.
Avian influenza;
bird Flu, and the constant battle to quell the next great cross species
pandemic makes for a great zombie backstory, and here the obvious yet effective
satirical swipe at intensive food processing, chicken nuggets and cheap school
dinners starts Cooties off, well on track. A single infected girl oozing in
class with all that unlocked horror potential then boom! A no-nonsense
zombie outbreak, kids running, teachers being eaten; blood guts and black
humour; things were good, nay great, and I could even overlook, for a while, the rather obvious and rambling one
dimensional characters I soon realised I was going to be stuck with. To be fair to the actors they do actually do some justice to them,
though how much they could actually do with the presumably one-line character
synopsis they were given is debatable. Clint Hadson (Elijah Wood) is a failed
writer come back to live with mum and sub at the local elementary school
fifteen years after leaving. An hour and a half later, I could perhaps add he's
a bit of a dick with some creepy crush on an ex he hasn't seen since leaving,
but did stalk. I could tell you even less about said crush Lucy McCormick,
(Alison Pill) a teacher already there; or her boyfriend the stereo-typical
sport teacher Wade Johnson (Rainn Wilson).
It just all feels
like a film by committee with little to no focus or emphasis on fleshing out or
developing likeable characters with, instead, an over confident reliance on the
highly designed interactions with the zombie horde to see things through; seven
producers and co-producers seems to argue that this is the case. There is
the argument, however that this nearly works and Cooties is, for all I've
criticised it, still a great zombie film
with sumptuous set pieces, some tense zombie hide and seek, copious and
undiluted, taking into account their children, violence and gore... So what am I
trying to say? Just before we start going
round in circles; that Cooties is a fun,
well produced zom-rom-com, but one that just doesn't stand-out with zombies
no longer on their own able carry a disjointed narrative and vacuous characters.
I've accused many a
film before of not really being about the zombies; that they're more the driver
to tell a tense character driven story. Here the film bets all on them and it nearly pays off, with the snarly ferocious little shits, especially young Cooper Roth as Patriot, pulling off a younger utterly convincing and terrifying version of Donald (Robert Carlyle from 28 Days Later), genuinely stealing the show. It's a virus that's mutated from
some rotten chicken and jumped species; it's incredibly virulent, transferring
through the slightest scratch or bite and it's incredible keen, almost
immediately killing off parts of the brain turning the subject into a
single-minded rabid cannibal. Despite being children, Milott and
Murnion aren't scared to have the teachers deal with their foe with extreme
prejudice; and guts, gore and combat are always in your face and imaginative.
For all that the film is comedy, there are times, especially in the latter
phases that the action is darker and more serious and with the children impeccably
made up to look and behave terrifying it made for some genuine uncomfortable viewing; which was a delight. Unfortunately they're sporadic and randomly placed, again pointing to a production that seems haphazard and confused.
If I sat down to
watch just one zom-rom-com this year, and this was it, then I'd perhaps feel
differently. Then, the riotous interplay of ridiculous characters, set-ups and
jokes all brought together in a maelstrom of silly action, inappropriate
violence and gore, and teen level romance; by recognisable actors in a more
than competent way, all with fantastic zombies would have me jumping for joy, and I'd be inclined to
overlook its many short-comings. The thing is, it isn't and the zombies alone, this time, can't forgive it's failings. An almost film, that for all it entertains
and titillates, ultimately disappoints - 6/10.
Steven@WTD.
No comments:
Post a Comment