It would feel a bit
mean to be too critical of this earnest, atmospheric horror indie. The build-up
is strong, the acting half decent, especially the girls, and the narrative
interesting and reasonably coherent if one doesn't think too hard about it. All
in all, writer and director Brett Anstey has fashioned a competent little
horror story with an original hook and has demonstrated enough talent in his
directorial abilities, to warrant future larger budgets. Unfortunately where it
does kind of fall apart is exactly due to said lack of experience, finance and
perhaps lack of confidence in the good old low budget mantra, to keep things
tight and that less is sometimes more. There's a little too much forced exposition
at times, the story is strong but does end up rambling, losing its
plausibility, and the brilliantly built up, evocative and subtle atmosphere and effects does
head a bit too much into b-movie territory where ambition should have been tempered.
Claire (Renee
Willner) with her boyfriend Paul (Danny Alder) has returned to the old family
farmstead after receiving a mysterious old urn through the post and has learnt
from her old da' (Peter Stratford) and younger sister Jen (Taryn Eva) that
Nana's not well. Now, it's hard to pick who's most to blame for the events
that unfold that evening as Nana (Dawn Klingberg) takes her final breath. On
the one hand Claire does push the Banshee that appears, to herald her passing,
off the balcony impaling her and thus committing her family to death and
eternal damnation. But on the other hand Nana has had nearly seventy years to
prepare for the events that would unfold and has done a damn
fine job of not getting everyone up to speed. Either way; a curse on the
O'Neills line means that on their passing, a Banshee will appear, wail quite a
bit and everyone should leave her alone. What they shouldn't do, under any
circumstances, at all, absolutely not, is interfere, accost her, or say, push
her off a balcony. Ooops.
The Banshee, or
"woman of the sídhe" or "woman of the fairy mounds", is a
female spirit seen as an omen of death and a messenger from the underworld
(thanks wiki). With bloodshot eyes from crying out for centuries the 'keener' or
fairy woman, according to Irish legend, appears in a white gown to lament
(Irish: to wail) the passing of one the six great Gaelic families, of which the
O'Neills is one. Played by Bridget Neval she's mysterious and frightening, her
wail unearthly and harrowing and her appearance is haunting and coherent. Like many films
that begin with an old legend the writer / director soon decides to deviate from
folklore however, and that's probably where the film starts to also deviate from
plausibility and starts trying a tad too hard.
I've now read quite
a bit about Banshee's (at least two articles) and everything so far fits. The
thing is, and I do understand the need for artistic embellishment in film
making, I've not really found much reference to an army of the undead being awoken
and her going on a blood fuelled rampage should her wail be disturbed. After
being re-killed the undead spirits she summons from the ground are skeletal
which is ok, as I can go with the fact they've been buried a long time. They
all also seem to have scythes to wield which again I guess is fair enough, as
they were probably farm hands. The thing I couldn't really get behind though,
was the fact they were flying. It's jarring, a bit daft looking, and it's made
considerably worse with the poor CG and effects that make them about as
coherent and cohesive as a brick in a yogurt. Admittedly they're not that much
more artificial looking than the bonies in Warm Bodies or even the zompires in
I Am Legend but they're so jarring in a film full of subtlety and nuance that
they come very close to breaking the whole illusion on their own.
Zombies? They're
reanimated skeletal remains under the control of the Banshee so probably not in
any strict sense. Paul however, back as a staggering cockroach infested corpse
out for revenge most definitely is, in a revenant kind of way anyway.
The sister too makes a return, albeit extremely briefly, gurgling blood in a zombie way
and even the grandmother makes a reappearance as a possessed Evil Dead /
Exorcist potty-mouthed cantankerous old hag (though she may have been like
this before she was damned). There's lots of ideas and it all looks good and
helps the film entertain but if I'm honest it feels a bit thrown together as if
with twenty minutes to fill they weren't quite sure how to deliver the shocks
they'd been building towards.
I liked Damned by
Dawn. I actually watched it twice, and even enjoyed it more the second time.
It's competent, has some great build up and scares and an interesting premise
that's well played around well with. The plot does meander and lose its way
somewhat, but the central story arch does get back on point and it does hold
interest. Anstey certainly has an eye for suspense and build up if not
necessarily the ability to deliver on it. Constant corner of the eye, shadow,
snapshot imagery and the subtle and clever use of sound deliver a truly spooky
experience and I found myself often cowering behind a cushion or momentarily
bereft of skin, and if he could have kept to what he undoubtedly does best all
would have been well. The thing is, ultimately when it comes to delivering on
all evocative teasing, the big action scenes feel tragically forced, immodest
and even a little incongruous. They never not deliver; it's just things never
feel quite right. Would I recommend it? Sure, why not? You'll be promoting low
budget horror production and you'll be in for a well-produced jumpy hour and a
half's fun; just brace yourself for hover-zombies, 5/10.
Steven@WTD.
Yeah, I've got nothing agains Australians, but their movies just do nothing for me. This, Wolf Creek, The Snowtown Murders, etc. I've just never been impressed with their style of films. Good review, although I won't be seeing this one for myself (laugh).
ReplyDeleteI've got to kind of agree... I didn't think much of Undead either. There must be some good Aussie horror films though, I'll need to go away and think now.
DeleteThanks for the comment!