Contains spoilers.
It's amazing what
can happen over night, no truly. Couple Steve (Travis Brorsen) and Mimi
(Roshelle Baier) have spend the evening camping under the stars, drinking
champagne and looking wistfully into each others eyes. Returning down the
mountain in the morning with a skip in their step, they're immediately
confronted by a world destroyed by zombie apocalypse with undead, roaming free
and unbound. Even though they've only been out the picture for the night ,
and fortunately for them, a group of desperate survivors have managed to escape
the maelstrom and hole up in a convenient, and local 'decommissioned NORAD
microwave centre or something', and they just happened to send one of their group out to
look for anyone still alive and human.
What makes or breaks
a tight low budget end of the world character drama is funny enough, the
characters. Unfortunately the disparate group Steve and Mimi end up tired,
confused and hungry with are a trite, uninteresting self centred ensemble with
no redeeming qualities and not a single good idea between them. From Kylie
(Marian Tomas Griffin) the self-pitying ex-porn star who can't go thirty
seconds without mentioning how many men (or animals I kid you not) she had sex
with the previous week to the instantly unlikeable Chad (Tom Eplin) the
misogynist bully boy producer/ranch owner, to Trent (John Lee Ames) the bible
quoting cliché bigot who blames the uprising on 'faggots', they're a horrible
bunch, poorly realised with bad lines, poor direction and little or shallow
depth. Never did I feel any connection with any of them and never did I really
care if any of them lived or died.
And die most of them
did, though not through bites, scratches or in any expected traditional zombie way. Days of
Darkness (though it's never actually dark during the day, anyhoo) is a film of
two parts. The first half of the film is a poor mans zombie survival story as
the group struggle to come to terms with what has happened and how they might
survive for longer than a few days. We soon start to suspect this may be a film
off the beaten survival track though as Steve's early bite fails to fester, and
this fact is picked up on by the group. The second big hint that we're not
dealing with your common-or-garden zombie infection is Herbert's (William
Cannon) a zombie chained up in the basement, genitals falls off and is replaced
by an egg sack and alien hybrid embryo.
The zombies you see
are being controlled by alien parasites which are using them as incubators for
their hybrid alien off spring which will then be free to take over the planet, and the reason Steve didn't catch zombie-itus through the bite, is that the parasite
is air born in the dust off a recently dissipated comet, and everyone who could
catch it has already done so. Everyone breathed it in, everyone died and
everyone became a host, and it sounds like an alien slam-dunk to me, except,
and I won't spoil it for you, there's one thing they didn't count on and it's
the reason these few guys survived. My first thought though, was if this is
really a cause for immunity, not only would I be fine, but I'd expect a pretty
high survival rate here across Europe too.
This second half
story of Invasion of the Body snatchers mixed with Alien is in truth a bit
better than the survival stuff and even managed to evoke the odd moment of
tension and raise a smile. They're brief mind, let's not get carried away
and all daft and badly presented, but they're still moments. I should mention the
zombies too. They're pretty crap. I'm guessing the only quality the director
mandated from the many people who volunteered to stagger about, arms
outstretched with a smidgen of blood on their face was an ability to groan grrrr and gurgle a bit. They're never
frightening or visceral and as I watched them casually flounder at the
survivors (with remarkable success at times I might add) or jostle the camps
fence limply, I couldn't help remark their base-behaviour was more slightly agitated than rabid.
It's not a good
film. Even taking into account it's extremely limited budget it's not a good
film. The meandering narrative and totally uninteresting characters and
dialogue ultimately pound the film into the halls of mediocrity, and it's
certainly not something I'll look back with, never mind fond, any memories at
all. I will say the acting for the lines and shallow characters is reasonably
strong, but with such drivel to work with, whether it's a long rambling back
tales recanting their final few hours, or one of the many forced clumsy
arguments or exchanges, like the narrative there's never a moment it feels
convincing or interesting. A strange film that desperately feels like it wants to be a b-movie but fails in all ways to be funny, witty or particularly over the top, missing the point entirely, 2/10.
WTD.
Yeah I saw some of this... it was unbelievably awful.
ReplyDeleteThanks for following. Yeah, it really was a turkey and it's actually my only (1) to date; even worse than osombie which is really saying something.
DeleteI'm glad I avoided Osombie then. I was happy to see you liked Dance of the Dead. I was really surprised how good that one was.
DeleteYou dodged a bullet there. Some films are kind of so bad they become good(ish). Osombie is just plain awful. Dance of the Dead is a real bucket of fun; it knows exactly what it is and executes it all with quite a lot of skill.
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