1941 (USA)
2010 included on
Ultimate Horror Classics SD Blu-ray R(All)
Contains
spoilers.
Now this is why I'm
doing this. How else would I have firstly come across then secondly chosen to
watch and actually appreciate such an old world black and white gem.
It's World War 2 and
pilot James "Mac" McCarthy (Dick Purcell), passenger Bill Summers (John Archer) and his black
manservant Jefferson "Jeff" Jackson (Mantan Moreland) off course and
running low on fuel crash land on a small Caribbean island guided by a faint
radio signal. Here they take refuge in nearby mansion owned by a refuge
Austrian Dr. Miklos Sangre (Henry Victor, but originally penned for Béla Lugosi) who tells them they will have to
remain his guests for several weeks before the next supply ship arrives.
Forced to sleep and
eat with the other servants the hilarious star of the film Jeff sits to eat and
is informed quite openly by the other servants that many zombies also work and
live at the mansion. Unnerved by this but trying not to make much fuss he settles
down to sleep only to be approached by two. Thus begins a genuinely funny back
and forward between him and his employer and pilot. He knows what he's seen
and they know he can't of. I really can't emphasise how good Mantan Moreland is
at playing this role with quick perfectly timed one-liners and perfect
interplay with the straight men.
All the while Dr.
Sangre in his secret underground caves is preparing a rite of transmigration to
extract important war information from a previous crash victim, an Admiral
Arthur Wainwright by transferring his thoughts through the Doctors hypnotised
wife.
It's daft stuff but
it knows it with each actor whether playing the US jock pilot or colonial
have-a-brandy-stay-calm gent all hamming it up from start to end. While the characters are all complete
colonial racial stereotypes, and wouldn't be tolerated today, it is very much a
product of its time and playing up these roles is an integral part of the
comedy. Beyond this I'd even argue that if anything its all quietly subversive
as it's Jeff that really solves the mystery and provides all the entertainment
while the two white men stumble about clueless. There's even the symbolism
inherent in having one of these white guys turn into a zombie taking his place
alongside and equal to the black undead.
It's the 1940s and
way before Romero so the word zombie still comes with drums and voodoo
attached. Very much under the control of their master the zombies in King of
the Zombies are the recently deceased, dug up and reanimated by magic. They
stare blindly ahead and shuffle around doing their masters bidding very much
like in White Zombie or The Plague of the Zombies. We learn they respond to a
clap and require food as if implying reanimation is exactly that, back alive
but without the mind or soul. In a hilarious scene with Jeff hypnotised into
believing he one of the zombies he complains about the lack of salt in the
food. Samantha, the Maid (Marguerite Whitten) who has taken a bit of a shine to
Jeff tells him not only shouldn't he be talking if he's a zombie, but eating
salt is bad for zombies, re-killing them and if he was a zombie he wouldn't have a reflection in a mirror. Interesting stuff...
It's quirky and
silly with few sets and awkward conversation but far and away, not only one of
my favourite old zombie films but perhaps one of my favourite to date and I'm
actually already keen to watch it again. I believe it also has some part to
play in the zombie story too despite never seeing it really referenced. In the big
finale Mac, now a zombie definitely raises his arms as he goes for Dr. Sangre.
I heard the phrases 'living dead', 'she lives but walks in the land of those
beyond', 'zombiefied' and even 'dezombified' and I can't recall hearing them
before. A very easily loveable black-comedy, 8/10.
Steven@WTD.
I'm glad you like this one, I feel it's a pretty underrated little gem from the 40s.
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